Loot: Imperialism Gets a Slap on the Wrist

Tania James’ Loot opens in Srirangapatna, Mysore in 1794. The French are its colonial rulers. Abbas is 17 and a gifted woodcarver. He’s sent to Tipu Sultan’s Summer Palace to apprentice with Lucien Du Leze, a brilliant French engineer and watchmaker. They create a wooden automaton depicting a tiger devouring a British soldier. It’s all good fun, and the finished marvel delights Tipu. Du Leze returns to France.

French rule is weak, and Britain’s East India Company invades with its army. The battle is bloody; Tipu is killed; the city destroyed and renamed Seringapatnam; and its precious artifacts are looted. The automaton is awarded to Colonel Selwyn, who sends it to his country estate in England. His wife collects artifacts taken from all the territories the East India Company had conquered.

Abbas has lost everything. He leaves for France, which is a long journey around the African continent. He makes it and discovers Du Leze is dead. Fortunately, Jehanne, Du Leze’s beautiful, half-Indian, adopted daughter, is alive. Romance buds, but they’re poor. Jehanne learns where the automaton is located, so she and Abbas travel to England to steal it and become rich.

Wow, Gladiola, this synopsis makes Loot sound like an exciting global adventure; historical fiction at its best. Yes, it could’ve been, but here’s the problem. James knows all the necessary elements of the hero’s quest. She mechanically checks them off, as if this is an exercise in a graduate-level creative writing program, but she’s created a heartless automaton, which is a shame because the story does have potential.

Abbas travels around Africa in 1802, but the horrors of the slave trade are fleetingly acknowledged. India is being looted, but imperialism’s greed gets a slap on the wrist. Literally. Loot is a card game Jehanne plays with Selwyn’s widow. When Lady Selwyn, who’s surrounded by all the treasures her husband looted, pulls the winning card, Jehanne reflexively slaps her wrist.

Imperialism’s misappropriation of cultural artifacts has been a hot topic globally for decades. Loot was published is 2023, but James barely mentions the issue, which is all the more surprising because Abbas is Indian and Jehanne is half Indian. Loot dutifully marches to its banal happy ending, but the reader is left with a nagging sense that this is a superficial novel full of missed opportunities.

Gladiola Overdrive, Chief Editor

Do What They Say or Else: Curiouser and Curiouser

Annie Ernaux’s Do What They Say or Else is a matter-of-fact coming of age story set in Normandy, France, in the late 1960s. It’s not sweet or sentimental. It’s straightforward and refreshing. Simple and profound.

Anne is 15 and a half, bored, disgusted by her parents, and intensely curious about sex. Sounds about right. She is suffering through the summer before she starts high school. This is the summer she begins to leave her parents behind and experiment with being an adult. She has secrets, which she is happy to share with the reader, but not with her parents. Smart decision.

One secret is “if I had to die, in a war for example, I would throw myself at the first guy who came along.” So would I. She is wise and makes keen observations – such as perverts start to “come out in March like the primroses.” Or this one about her parents: “you have to keep your mouth shut all the time so you won’t hurt their feelings.” She has just read Camus’ The Stranger and is deeply affected. She would love to discuss the book with her parents, but she knows they will not find that normal.

Like all teenagers, Anne is cynical but also naive. “There must come a day when everything is clear, when everything falls into place.” If only. Anne is a wonderful narrator because she’s curious about everything and insightful. She is every 15 year old I remember being, and it is fascinating to listen to her as she navigates to adulthood. “Curiosity is normal at my age: it would be strange if that wasn’t the case, except that for girls, curiosity can lead to anything, and it’s frowned upon.” Anne ain’t wrong.

Gladiola Overdrive, Chief Editor

Look at What’s Happening in France – Don’t Look Here

On rare occasions a powerful and secretive institution may become so corrupt, it should not be trusted to police itself. Fortunately that theory doesn’t apply to the Catholic Church.

Look at what’s happening in France. In October 2021, the Bishops Conference recognized that the Catholic Church was guilty of allowing the sexual abuse of children to become “systemic” after an independent investigation found an estimated 216,000 children were victims of abuse by the clergy since 1950. See! They acknowledge there might be a problem – though they haven’t really said what they plan to do about it. But, obviously, they can continue to police themselves.

And let’s not get distracted by (what some would call) a scandal. France is an isolated incident. As is Ireland, Australia, Germany, and all the others. In the United States, the Catholic Church has been far more honest. A few dioceses have filed bankruptcy so some assets can be sold for the benefit of victims (assuming there are any). Now when I say assets, I certainly don’t mean all assets. Just those the public knows about.

So have faith. More importantly, please continue to send us money. We actually want your money more than we want your faith.

And don’t worry about these peccadillos. I like that word because it sounds like peck of dildos – so it’s funny and we can all laugh and maybe change the topic. Perhaps to more words that sound like sex toys.

Father Orifice (pronounced Orifeechee), Chaplain of Pungent Sound Technical College of Technology