The Past is Epic

Don Winslow’s City of Dreams is the second installment in the Danny Ryan trilogy. As with City on Fire, the first installment, Winslow continues to be inspired by Homer and Virgil, as he sprinkles quotes from the Iliad and the Aeneid throughout. For example, City of Dreams opens with this from the Aeneid: “Of wars and a man I sing, An exile, driven on by fate.” Referencing these ancient epics might be a gimmick, but it works because the quote describes Danny Ryan as much as it does Aeneas, though I would argue the series, so far, has more in common with the Odyssey. Let me know when I start sounding pompous. Oh, wow, that was fast.

The story opens with a potential bang. It’s 1991 and Danny Ryan is in the California desert. He’s on his knees and someone is holding a gun to his head. So suck it, Homer, that’s how you start an epic. Virgil, meanwhile, is wondering how we got here. Fortunately, there’s a flashback to provide that answer.

Danny and his small crew of Irish mobsters are fleeing Providence, Rhode Island, after losing a gang war to the Italians. His wife has just died of cancer, so his infant son comes with him. His elderly, alcoholic father is along for the ride too. They make it to San Diego doing off-the-books jobs. Life is tough, but at least he’s still alive. Soon a shadowy government figure gives him an opportunity to make some real money – the kind that could provide him a new life. It sounds too good to be true. No one ever gets a new life, right? “You might get a fresh start, a second chance, but your old life stays with you.” Danny should say no but he says yes. And so the story goes until Danny lands in the desert giving the side eye to that pistol.

The futility of trying to escape your past is the major theme here, and many of the characters, at least the ones who didn’t die in City on Fire, return. To the reader’s delight, that includes Danny’s mother. She’s a modern-day goddess who knows the secrets of many powerful people.

Lots of things happen, and lots of poor decisions are made as Danny travels to the desert. His brief foray in the movie business is chief among those poor decisions. To Danny’s great surprise, Hollywood is making a movie of the gang war he barely survived. Anyone who’s seen a Martin Scorsese movie knows Hollywood “gets off” on the “exploits of real-life gangsters.” There’s much humor here, but for Danny there’s also unneeded publicity. More poor decisions are made.

Hollywood is all about reinventing yourself, and Danny tries but he’s no movie star. He runs all the way to the city of dreams to get away from his past, “But nothing is more persistent, more patient, than the past. After all, the past has nothing but time.” City of Dreams is a great read and a welcome installment in the Danny Ryan trilogy. It does exactly what it’s supposed to do; it leaves the reader wanting a third installment.

Gladiola Overdrive, Chief Editor

The Epic of Dogtown

Don Winslow’s City on Fire has quotes from The Aeneid and The Iliad throughout. Those epics are about the siege of Troy, the original city on fire, so the quotes are apt. Winslow’s story is an epic as well, but his Troy is Providence, Rhode Island, the land of “I know a guy.” That’s an unexpected setting for an epic, but it works. Just substitute the ancient Greeks and Trojans for Italian and Irish mobsters in the 1980s. The Irish control the docks. The Italians control the trucks and almost everything else. The merchandise that falls off the boats and trucks supports both gangs and their respective rust belt neighborhoods. Each respects the other’s territory, meaning the Italians rarely venture into Dogtown, the name of the Irish section where slaughterhouses once attracted feral dogs.

A beautiful woman emerges from the sea on a hot summer day. Here’s our Helen, except her name is Pam, because it’s Providence. Danny Ryan knows immediately that she’s going to be trouble. “Women that beautiful usually are.” Just ask the Greeks and Trojans. Danny is in his late 20s, and his father-in-law runs the Irish gang. Danny is “faithful like a dog,” so he isn’t going to be the Paris in this story. That role is reserved for his brother-in-law, who steals Pam away from a high-ranking Italian mobster. Jokes are made at this mobster’s expense, and when “people start to disrespect you in one area of your life, it leaks into others.” The initial weapons are bats, but soon bullets fly and bodies fall. Danny moves up the chain of command. He’s never been tested like this before, and it’s going to take everything he has to get himself and his family out alive.

Mob stories make for great epics. They have all the requisites built in: violence, greed, lust, family, and loyalty. There’s just one problem. Our popular culture is rife with these stories, so it takes a talented writer to craft a captivating one that’s fresh. Fortunately, Winslow is such a writer.

Gladiola Overdrive, Chief Editor.