Tag Archives: Civilization

Child of Cormac McCarthy

Cormac McCarthy’s Child of God is set in the mountains of eastern Tennessee around 1965. It opens with the county auctioning off Lester’s home. “Lester Ballard never could hold his head right after that.” Then he’s falsely accused of rape. After several days in jail, the sheriff determines Lester is not guilty (he’s certainly not innocent) of this particular crime and he’s set free.

You might think Lester is a little pissed off now, and you’d be right. But not to worry, Lester is a “child of god much like yourself perhaps.” And like you perhaps, Lester becomes unmoored, feral – though in fairness he was probably always feral. He starts collecting things: stuffed animals from the fair, women’s clothing, female corpses. You know, the standard stuff anyone would collect after losing everything.

So the sheriff gets involved again, but Lester has disappeared into the mountains. The sheriff represents what passes for civilization in this “dead and fabled waste.” This is obvious because he wears “pressed and tailored” chinos, and his name is Fate (no one ever accused Cormac McCarthy of light-heartedness or subtlety). So Fate is chasing Lester in a place the “good lord didn’t intend folks to live in.” Some things just don’t change in Cormac Land, and when the sheriff is asked if he thinks people are meaner now compared to the old days, he responds predictably. “I think people are the same from the day God first made one.”

Lester is a precursor to McCarthy’s Judge Holden in Blood Meridian and Anton Chigurh in No Country for Old Men. He’s just not as compelling as those superbly nihilistic killers. These novels share other Cormac tropes too: wild and brutal landscapes, men comfortable with random acts of violence, and civilization fighting a losing battle against viciousness.

But back to Child of God. I hope this doesn’t come as a surprise, but people die. And when someone dies, we call it fate even though fate had nothing to do with it. So fate does eventually catch up with Lester, but Fate doesn’t.

What makes men like Lester Ballard, Judge Holden, and Anton Chigurh so vicious? Is it the inhospitable environment? Something inside them? The devil? I hope you aren’t so naive as to think Cormac McCarthy is going to answer that for you.

Gladiola Overdrive, Chief Editor

Voltaire and the Art of Gardening

Written in 1759 Voltaire’s Candide remains relevant. That’s quite a feat, so let me revise that lackluster opening sentence with this: the story is a timeless treasure; a garden of raucous flowers all with sharp edges. There, that’s better. Am I the only one sexually aroused now? Surely not.

Candide is a “young boy whom nature had endowed with the gentlest of dispositions.” He is “sound in his judgment” and has the “most straightforward of minds.” His tutor is the great German philosopher, Pangloss, who taught him “everything is for the best.” So when Candide is literally kicked out of a baron’s castle for kissing his daughter, Cunegonde, and ends up forsaken, cold, and hungry in a nearby town where he is “recruited” into the army on the eve of battle, he is not concerned. “Everything is connected in a chain of necessity, and has all been arranged for the best.” That’s comforting to know.

But then the prevailing army kills the baron, destroys his castle, gang rapes Cunegonde, drives Candide out of the territory where he encounters the Spanish Inquisition, plagues, earthquakes, and every other kind of human and natural disaster. Still, he remains indifferent. After all, Pangloss always said “Individual misfortunes contribute to the general good with the result that the more individual misfortunes there are, the more all is well.” I’m still sexually aroused.

Candide is a stunning satire that has you laughing at the most degenerate of humanity’s creations: war, religion, philosophy, civilization, government. The list goes on. Candide travels the world and everywhere his foundational belief in optimism is challenged and fails. Eventually he lands in Turkey where he abandons optimism as a “mania for insisting that all is well when things are going badly.”

But what philosophy can replace optimism? Don’t we need a philosophy to understand why humanity exists? When Candide questions a learned dervish why there is so much evil in the world, the dervish asks “What does it matter whether there’s evil or good? . . . When his Highness sends a ship to Egypt, does he worry whether the mice on board are comfortable or not?” My guess is no.

Leaving the dervish, Candide encounters a humble, but content, farmer who advises him to cultivate his garden because “Work keeps us from three great evils: boredom, vice, and need.”

So cultivate your garden, my friend, and may you prosper from your endeavors. Still sexually aroused.

Gladiola Overdrive, Chief Editor

Cerebral Thoughts on Art’s Entirely Benevolent Contribution to Civilization

I have drawn a portrait of God
and He looks like me.

Not you.

                    Me.

Saffron Crow, Art Editor