Tag Archives: Poverty

A Tiny Voice

Yes, of course,
we, too, care about
a neglected rose struggling to survive
among the scattered bricks
of a crumbling house,
but we’ve already done
all we can.
Remember  
a child has a tiny voice
and no money –
hardly the sturdy platform
on which to make demands.
Yet here she stands
with her small voice,
empty pockets, and
accusing eyes,
while we continue to tell her
to trust the spider
who swears
he wouldn’t hurt a fly.

Luvgood Carp, Editor in Chief

Union Street

Let's go down to Union Street
where impoverished people meet
around barrels brimming with green despair.
They'll fidget nervously while we stare,
as each in turn dips a cup,
lifts to quivering lips and drinks it up.

On Union Street the barrels overflow
so we'll see many rounds before we go.
And as they drink themselves blind,
we'll walk through a door they'll never find.

Luvgood Carp, Editor-in-Chief

Enlightenment and Joy

Anyone who has read this blog will say it’s mostly pointless. Long ago I proposed changing its name to Masturbating Chimpanzees, because truth matters. A careful reader will note I said mostly pointless, and I did so intentionally because my posts are the only ones worth reading. So congratulations on reading this post. I bring enlightenment and joy.

As you know I’ve been on a campaign to alleviate homelessness in Roanoke. When I walk down Church Avenue, I encounter homeless people. I patiently inform them that they wouldn’t need to live on the street if they would just get jobs. Sometimes I give them a dollar as a jump start to a better life. So far this year, I’ve given away $8.43.

Last February, right before that vicious polar vortex, I encountered one homeless man in particular. I’d seen him before but I’d never had the chance to give him my pep talk. He was messier than most with a raucous grey beard, blank eyes, and ancient clothing. I told him to pull himself up by his bootstraps and gave him a dollar.

I never saw him again. In fact, it’s been nine months since I thought of him, but last night was frigid and he appeared, uninvited, in my mind. That’s when I realized my pep talk and dollar must have saved him. I drove around Roanoke this morning, and he’s nowhere to be found. All because I gave him a second of my time and a scrap of my wisdom. It’s easy to make a difference in the world. All you have to do is care.

Knowgood Carp, Owner of all the Hotels on Block Island and some in Connecticut

A Tiny Voice

Yes, of course,
we, too, care about
a neglected rose struggling to survive
among the scattered bricks
of a crumbling house,
but we've already done
all we can.

Remember
a child has a tiny voice
and no money -
hardly the sturdy platform
on which to make demands.
Yet here she stands
with her small voice,
empty pockets, and 
accusing eyes,
while we continue to tell her
to trust the spider
who swears
he wouldn't hurt a fly.

Luvgood Carp, Editor-in-Chief

David Copperfield in Appalachia

What do Victorian London and 21st century Appalachia, during the height of the opioid crisis, have in common? Weird accents, obviously. Questionable fashion choices, no doubt. But according to Barbara Kingsolver, there’s much more, and she makes a convincing case in her 2023 Pulitzer winning novel, Demon Copperhead. There’s the complete disregard for people living in extreme poverty. There’s the refusal to acknowledge an economic system designed to keep them impoverished. And there’s the abandoned children who far outnumber the people capable of helping them. Those children are everywhere, and their circumstances are dire. Yet, somehow, this novel is about strength and resiliency. It has a heart and a funny bone – a rather small funny bone, but given the subject matter that also is an accomplishment.

The novel begins in the 1990s in Lee County, Virginia. If you go any further west, you’re in Kentucky or Tennessee. It’s the heart of Appalachia – remote, mountainous, and poor. Damon Fields was born between a coal camp and a settlement called Right Poor. His father died before he was born. It’s not an auspicious start, and it gets worse. His mother was an 18-years old single mom. She was also an addict, and a “kid born to the junkie is a junkie” as far as society is concerned.

When Damon’s red hair comes in, everyone calls him Demon Copperhead. This is a nod to the snake-handling Baptist preachers on his father’s side and to the copperhead snakes that infest the mountains. But Demon learns quickly the snakes that slither are far less dangerous than the snakes that walk. When his mother dies from an overdose, he is put in the cruel foster system where he is raised to be a “proud mule in a world that has scant use for mules.”

Eventually he is placed with an alcoholic high school football coach and his daughter, Angus, who perhaps is the person who cares most for him. Surprisingly Demon becomes a star high school football player. When he suffers a serious knee injury, the team doctor prescribes these little pain pills to “help” him. Within weeks Demon is addicted to opioids, like nearly every other child in Lee County. Angus wants to help, but “she is not in the business of throwing her life away so other people can stay shitfaced.”

Demon Copperhead is a thorough excoriation of how companies like Perdu Pharma cynically hooked nearly all of Appalachia on opioids – all while society looked the other way. Kingsolver sugarcoats nothing, and her portrayal of addiction’s ravages is searing. She won’t allow you to look the other way.

So the name Demon Copperhead reminds me a little of Charles Dickens’ David Copperfield. Is there any connection? Yes, but you get no points for that. In her acknowledgements, Kingsolver expresses gratitude to Charles Dickens for “writing David Copperfield, his impassioned critique of institutional poverty and its damaging effects on children in his society.” Aw, come on, I never get points for anything! OK. One pity point for you. Sweet.

Gladiola Overdrive, Chief Editor

Schlitz and a Pack of Luckies

Dennis Lehane’s Small Mercies is aptly titled. Mercy in South Boston is as rare as a Yankee fan. Though published in 2023, the story is set in 1974 during school desegregation. “It was very hot in Boston that summer, and it seldom rained.” The white “Southie” community is virulently opposed to school busing, which will send their children to a different high school in September. Gasoline has been poured on the racial tensions. I hope no one strikes a match.

Well, hope moved out of South Boston long ago, so the match gets struck. A high school boy, who is black, turns up dead in a Southie train station. On the same night a white high school girl goes missing. The girl’s name is Jules. Her mother is Mary Pat, a rage-filled Southie woman who is not afraid to break a punk’s nose. The boy’s name is Auggie Williamson. His mother works with Mary Pat. What are the chances these two events are related? Exactly.

In Southie “you’re either a fighter or a runner. And runners always run out of road.” Mary Pat is most certainly a fighter. When Jules doesn’t come home after 24 hours, Mary Pat knows going to the police is pointless. She goes to the Butler crew, a criminal gang that offers “protection” to the Southie neighborhood, instead. The Butler crew, however, isn’t all that interested in figuring out what happened to Jules. That’s when Mary Pat takes matters into her own hands, and absolutely everyone better watch out. There is “something both irretrievably broken and wholly unbreakable [living] at the core” of her. She’s the kind of vigilante who would make Clint Eastwood and Charles Bronson say hey, Mary Pat, you’re kinda freaking us out. Have you thought of anger management classes?

Lehane tells an engrossing, fast-paced story using a thesaurus devoid of pretty words. Vile racial epithets abound, but the brutal language is appropriate given the subject matter, time, and place. We aren’t reading about Disneyland. Southie is a small world, but it’s not a kids’ ride. “In Southie, most kids came out of the womb clutching a Schlitz and a pack of Luckies.”

While racial divisions are the paramount problem here, Lehane doesn’t ignore the economic divide. “We all know that the only law and the only god is money. If you have enough of it, you don’t have to suffer consequences and you don’t have to suffer for your ideals, you just foist them on someone else and feel good about the nobility of your intentions.” The private schools will remain segregated, as will the schools in the wealthy suburbs.

Hypocrisy and corruption are everywhere in Boston. Yet, somehow, Mary Pat believed Southie was exempt. “You know, we always say we stand for things here. We might not have much, but we have the neighborhood. We got a code. We watch out for one another . . . What a crock of shit.” When the truth finally smacks her in the face, Mary Pat hits back. Hard.

Gladiola Overdrive, Chief Editor

TRUST No One – Except Billionaires. You Can TRUST Them

For economic reasons, you should buy Hernan Diaz’s TRUST. It’s four stories for the price of one. For enjoyment reasons, you should also read it.

The novel, which won Diaz the 2023 Pulitzer Prize, asks one question: Who is Mildred Bevel? Four related stories offer answers, but Mildred is different in each. So which one do you trust?

Bonds, the first story, is written by Harold Vanner, a novelist who may have been a friend with benefits. But Vanner obfuscates, because Bonds is about Benjamin and Helen Rask – fictional characters based upon Andrew and Mildred Bevel. In Vanner’s account, Benjamin Rask is a brilliant, amoral Wall Street financier in the early 1900s, and Helen is a kind and generous arts patron who has serious psychological issues.

The second story, My Life, is dictated by Andrew Bevel. He wants to tell his story because a “vicious circle has taken hold of our able-bodied men: they increasingly rely on the government to alleviate the misery created by that same government, not realizing that this dependency only perpetuates their sorry state of affairs.” Mind you, this is during the Great Depression and Andrew is stupendously rich, but the only person he pities is himself. If you have confused him with Andy Rand, Ayn Rand’s dickhead brother, you are forgiven.

Andrew is also offended by Vanner’s portrait of Mildred (disguised as Helen). But mostly, Andrew is outraged by Vanner’s description of him (disguised as Benjamin). He wants to correct the record in an outrageously self-serving and mean-spirited way. To Andrew, Mildred is a saintly woman who dabbled in music and philanthropy. She is no master of the financial universe like him.

The third story is A Memoir, Remembered by Ida Partenza. Ida writes this in 1981 after the Bevels are dead. She’d been hired decades earlier by Andrew to transcribe his memoir (the rebuttal to Vanner) and improve upon it – a euphemism for make shit up.

She sees through Andrew’s self-aggrandizement and makes some informed judgments about Mildred. Her goal is to turn Mildred’s “tenuous ghost into a tangible human being”, but all she has to work with is Mildred’s mostly empty notebooks, Andrew’s self-absorbed account from 50 years earlier, and Vanner’s novel. To Ida, Mildred was a “thoughtful, disciplined philanthropist.”

Finally, in the last installment, Futures, we hear Mildred’s voice. She sees herself quite differently. It’s a refreshing perspective, but is it true?

TRUST succeeds on several levels. It’s absorbing historical fiction. It’s also a brutal examination of how immense wealth enables the super-rich and powerful to “align and distort” reality to their liking. In that sense, it’s not historical at all.

So, considering all the competing narratives, who was Mildred Bevel really? It all depends on who you trust. Me? I always trust the billionaires.

Gladiola Overdrive, Chief Editor

Dry Cleaned

It's a coffee-spilling day
despite my desperate need
for every drop that drips
on my formerly pristine 
dry-cleaned white shirt.

The sun hasn't risen yet.
The bundled-up homeless are still asleep
under the bridge as I drive by.

It's a middle-management day -
where dire budgets are discussed
behind softly closed doors
and layoffs loom.

Luvgood Carp, Editor-in-Chief

Fair and Tender Ladies

Lee Smith drops an astute warning at the start of her enthralling Oral History. And though its directed at the ladies, anyone aiming to “court” young men should listen up.

Come all you fair and tender ladies
Be careful how you court young men.
They're like a star in a summer's morning,
First appear and they're gone.

That sets the tone for a story “that’s truer than true, and nothing so true is so pretty. It’s blood on the moon.” Yikes! I’m not sure fair and tender ladies and gentlemen are ready for this.

Jennifer is a college student who was raised by her father. She hardly remembers her mother. She’s working on a project for her Oral History class, and her professor (who clearly has taken some non-academic interest in her) has encouraged her to interview her mother’s family. She may learn something about herself in the process. Cool.

But is it? Jennifer’s mother was a Cantrell, and she grew up in Appalachia. Geez, Gladiola, that’s a huge territory in the eastern United States. Could you be more specific? OK, fine. The Cantrells have lived for generations in the most remote part of southwestern Virginia – the pointy nose part that sticks into Tennessee and Kentucky.

Not everyone is glad Jennifer has shown up. Her grandmother in particular is frosty. Wow. Grandma doesn’t sound like a fair and tender lady. She’s not. Perhaps it’s because she has spent most of her life in the shadows of Hoot Owl Mountain. It might be the “prettiest holler on God’s green earth” but there’s something about it that makes a “body lose heart.” Maybe it’s because that witch cursed it.

And let’s not forget. Jennifer may be family, but she’s also a “foreigner” – a term that “does not necessarily refer to someone from another country or even from another state, but simply to anybody who was not born” in that area of the county.

In Oral History Lee Smith tells a rollicking tale of four generations of Cantrells. It’s full of music, moonshine, laughter, tragedy, desperation, ghosts, and violence. There is poverty, hard times, and true grit. It’s also honest and loving. Appalachia has been stereotyped and ridiculed ever since foreigners have been telling its stories. Smith doesn’t do that. She knows the region well and has affection for it, but she does not gloss over its tortured history. Her characters are flawed and sometimes wicked, but they’re human.

Gladiola Overdrive, Chief Editor

Planter’s Punch

I’m rich because I don’t like to pay for things – like taxes. And because I’m rich, I don’t have to. Take, for example, vacations. I can afford to pay top dollar and stay at an exclusive resort in a wealthy country. But why would I do that when it is so much cheaper to stay at an exquisite resort in a poor country?

I know what you’re thinking. But, Knowgood, will you be safe? With all the intense pressure you are under everyday as a powerful hotel magnate, how will you relax? We’re worried about you.

Don’t worry. Vacationing in poor countries is remarkably fun and safe. You land at the airport and people are everywhere desperate to help you out for a small fee. It’s as if their lives depend on it. But what’s best is you can haggle. That small fee then becomes paltry.

I hear you. That does sound like fun, Knowgood, but do you ever get a chance to relax?

Sure you do – at the posh resort drinking Planter’s Punch and smoking Cuban cigars while pissing in the colonial blue waters. You can relax because you are perfectly safe. That’s what the men armed with assault weapons make sure of. At least I think they’re men. It’s hard to say because they’re wearing camo with Kevlar vests – and balaclavas, so all you can see is their angry eyes.

It’s impossible not to relax.

Knowgood Carp, Owner of All the Hotels on Block Island (and Some in Connecticut)