Voltaire and the Art of Gardening

Written in 1759 Voltaire’s Candide remains relevant. That’s quite a feat, so let me revise that lackluster opening sentence with this: the story is a timeless treasure; a garden of raucous flowers all with sharp edges. There, that’s better. Am I the only one sexually aroused now? Surely not.

Candide is a “young boy whom nature had endowed with the gentlest of dispositions.” He is “sound in his judgment” and has the “most straightforward of minds.” His tutor is the great German philosopher, Pangloss, who taught him “everything is for the best.” So when Candide is literally kicked out of a baron’s castle for kissing his daughter, Cunegonde, and ends up forsaken, cold, and hungry in a nearby town where he is “recruited” into the army on the eve of battle, he is not concerned. “Everything is connected in a chain of necessity, and has all been arranged for the best.” That’s comforting to know.

But then the prevailing army kills the baron, destroys his castle, gang rapes Cunegonde, drives Candide out of the territory where he encounters the Spanish Inquisition, plagues, earthquakes, and every other kind of human and natural disaster. Still, he remains indifferent. After all, Pangloss always said “Individual misfortunes contribute to the general good with the result that the more individual misfortunes there are, the more all is well.” I’m still sexually aroused.

Candide is a stunning satire that has you laughing at the most degenerate of humanity’s creations: war, religion, philosophy, civilization, government. The list goes on. Candide travels the world and everywhere his foundational belief in optimism is challenged and fails. Eventually he lands in Turkey where he abandons optimism as a “mania for insisting that all is well when things are going badly.”

But what philosophy can replace optimism? Don’t we need a philosophy to understand why humanity exists? When Candide questions a learned dervish why there is so much evil in the world, the dervish asks “What does it matter whether there’s evil or good? . . . When his Highness sends a ship to Egypt, does he worry whether the mice on board are comfortable or not?” My guess is no.

Leaving the dervish, Candide encounters a humble, but content, farmer who advises him to cultivate his garden because “Work keeps us from three great evils: boredom, vice, and need.”

So cultivate your garden, my friend, and may you prosper from your endeavors. Still sexually aroused.

Gladiola Overdrive, Chief Editor

Ban My Book, Please

In a desperate attempt to achieve my twin goals of becoming obscenely rich and obnoxiously famous, I became a poet.  It didn’t work.  But I was reading Luisa Zambrotta’s Words and Music and Stories yesterday, and she had a post about James Cabell and how he rose from obscurity overnight all because he wrote a book the New York Society for the Suppression of Vice (Oxymoron Alert) achieved in getting banned. (http://wordsmusicandstories.wordpress.com/2022/04/14/fantasy-optimism).  Perversely, writers become rich and instant celebrities whenever people try to ban their books.  It makes me wonder why folks would want to ban anything they don’t like.  If “offensive” books were only ignored (like any other book), those writers would remain impoverished and die alone.

My second thought was that’s brilliant!  I’m going to do that.  I started thinking of all the obscene topics that would get a book banned:  war, cruelty, rape, adult diapers, hatred, and Coldplay.  But when I went to various media outlets to conduct research, I found everyone was talking about these issues. The people in favor of obscenity (whatever that is) weren’t banned, and neither were the people who opposed it. Instead each side was treated with the same amount of contempt.

So now I’m bereft.  If those topics won’t get my book banned, what will?  Writing about people who want to be treated with dignity?  About people who want to love each other without being assaulted?  You can see how desperate I’ve become.  Why would anyone ban a book for those reasons?

Luvgood Carp, Editor-in-Chief.